November 11 – December 16, 2017
Opening reception: Saturday, November 11, 6 – 9pm

Haley Josephs, Praying to the Sun / Praying to my Heart , 2017 Oil on canvas, 26 x 22 in

Haley Josephs, Praying to the Sun / Praying to my Heart , 2017 Oil on canvas, 26 x 22 in

Candice Breitz | Zoe Crosher | Shelley HolcombHaley Josephs | Jake Kean Mayman | Malin Gabriella Nordin | Anna Nordstrom | Nicole Reber  | Anna Schachte


  1. a domineering, violent, or bad-tempered woman.
    harridan, shrew, dragon, termagant, vixen;
    archaic: a woman of masculine strength or spirit; a female warrior.


1: hellcat, she-devil, shrew, termagant, witch, dragon, hag, nag, harpy, vixen, Medusa, bag, battle-ax, biddy, crone, fishwife, fury, gorgon, harridan, jezebel, ogress, slattern, sorceress, amazon, backbiter, bitch, calumniator, detractor, fire-eater, fury, tigress, wench

2: celebrity, amazon, idol, dame, leading lady, heroine, legend, martyr, protagonist, ace, champion, conqueror,  Hilde, strongwoman, star, demigod, goddess, shieldmaiden, queen, warrioress



Robert Canali
Somewhere I Have Never Traveled
(a study in transformative processes)

H I L D E e.b. is pleased to present “Somewhere I have never traveled” an exhibition by Robert Canali at Hand Space in Oakland, California.

11 years in the making, Canali’s free-form travelogue catalogs the last days of the San Francisco Flower Mart, while simultaneously exhausting his stock of analog photographic materials. These parallel journeys are illustrated by large scale, painterly exposures. A total of 252 sheets of dead stock photo paper and discarded flowers make up the six completed compositions in the exhibition. Canali offers the viewer a complex query about time, recollection, and the rapid advancement of modern life. The moment these flowers hit the light sensitive paper, they became emblematic of transformative processes, a memory of a memory.

“He liked the fragility of those moments suspended in time. Those memories whose only function had been to leave behind nothing but memories.” Chris Marker, Sans Soleil, 1983

The abstracted moments depicted in these photograms are at once immediate and fleeting. Moments recalling San Francisco’s recent history, “progress,” and erasure — spaces of thorough and dramatic change, life and death. The sunlight blackens the paper as it passes over each petal, leaf, and stem; with no visible white light, the wilting flowers act as thresholds between the viewer and the past long lost, solidifying the moment.

Robert Canali is a Canadian artist based in San Francisco, California. He received his BFA from York University in 2011. Canali has shown at various venues in Toronto, New York City, Brussels, and Paris, including: the Peel Museum, Gallery TPW, Flash Forward 2010, Printed Matter’s New York Art Book Fair, Super Dakota, and FIAC.

H I L D E e.b. is located in downtown Oakland, CA at 634 15th Street Oakland CA, 94612 at HANDS.

Robert Canali, process image, 2017

Robert Canali, process image, 2017


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